Lydia.
Hungarian American, student, nomad, adrift, musician, poet.
Mainly Supernatural, Teen Wolf, Doctor Who (my doctor is Nine), good music, Mythology, Hannibal, The Addams Family, Old Hollywood, anything I find beautiful, interesting or eerie.
Reblogged from buckysguilt  6,766 notes

“[Anthony] can be genial. He can be menacing. He can be sexy. He can do all of these things at the same time. I think he’s a very good actor, but I just don’t think that he’s had the film roles that he deserves. His success is limited by the imagination of the film industry. With really good actors, especially actors of color, the opportunities are fewer. Who will be brave enough to put him in a leading role instead of putting him in a supporting role?” Boston Globe film critic and Pulitzer Prize winner Wesley Morris on Mackie (UPTOWN magazine). 


It’s always been about the script and the director, for me. There are directors that I want to work with and that I admire. You can love a script, but if it doesn’t have a good director, it won’t be that. I like to adapt to a director’s way of working. I love doing that. Each director is so different, and you have to adapt to this new way of doing something. That’s what’s amazing to me. That’s why I love directors. I don’t want the director to have to work around me. I think it’s more fun for me to come in on their thing.

It’s always been about the script and the director, for me. There are directors that I want to work with and that I admire. You can love a script, but if it doesn’t have a good director, it won’t be that. I like to adapt to a director’s way of working. I love doing that. Each director is so different, and you have to adapt to this new way of doing something. That’s what’s amazing to me. That’s why I love directors. I don’t want the director to have to work around me. I think it’s more fun for me to come in on their thing.